Galina Lardeva
AMDFA “Prof Asen Diamandiev” Plovdiv – Plovdiv, Bulgaria
https://doi.org/10.53656/bel2025-3-1G
AbstractThe article aims to outline in general terms the possibilities for correlation between roles and languages used in the contemporary Bulgarian art historical practice. The study focuses its search on the last decade and observes how the roles are gradually narrowing and reducing, while the languages– on the contrary – are swarming up and gaining immensity even within the same role. For the purposes of the article, as exemplary material are used four fundamental works published in recent years: Nozharova (2018), Dzhurova (2020), Marinska (2020), Popov (2021). These are, without exception, works with a fundamental requisition, which, along with their immediate objects of research, attempt to outline the state of the specialized interest in art.
Keywords:contemporary art studies; art theory; art history; art criticism; affirmative criticism
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